There once was a sculptor who loved to create beautiful images. He studied all sorts of subjects, ideas, and wonderful theories. He loved sport and lived for the game. His game, however, was played with people. He poked their minds to examine the results. He prodded their emotions with verbal sticks and noted the reactions. He did not allow for personal attractions or petty feelings. He concentrated on his work and did little else. His grandest accomplishments were but experiments to him once they were finished. In his mind, he never failed or made a mistake; if there was an error, he would fix it. One day, he came across a wonderful subject. A beautiful specimen that was fraught with countless extraordinary ideas. The more he talked to her, the more he knew that this sculpture would be special.
He thought of her night after night and formulated plans and ideas. He worked on the piece day in and day out. Almost without paying attention, he had made a wonderful image. So real and lifelike, his masterpiece was his finest work by far. All of the other creations stood by and gathered dust. He neglected his regular interactions and studies of other examples. No other object in his gallery was even close to the level of detail and mastery that was displayed in his rendering of this subject. He talked with his subject, he got to know her, learned about her background, studied her interactions with others. His former lack of personal investment in his life was, in this case, ignored. He began to gauge everything else by one scale, and it all fell short. The obsession which had seized him was one that was neither healthy nor safe, yet he pressed on with his reckless passion.
The sculpture was almost complete; it was nearing perfection, at least, in the eyes of the sculptor. He concentrated even more heavily on it, he worked until he had imparted all of his knowledge of the subject upon the image he had created. A strange thing here began to happen. The subject began to fade in importance and the image began to rise in his mind. The image was now as complete as it could be, given the artist’s knowledge of the subject. The time came when the subject had to leave. The artist no longer had her to study and learn from. He was left with an aimless obsession. The inevitable happened; the image replaced the subject in the mind of the artist.
His obsession once again had a topic, but it was not nearly as fascinating as the original. It did not answer him in the same, unpredictable ways. He could examine it, but all new data formed was done so by extrapolation. He turned over conversations and information in his head, like a tape replaying the same song. It drove him to the brink of despair. He no longer knew what was real and what was fabricated in his own mind. The answers did not come as he expected, and often his own suppositions were not what he wanted to hear. Like a flame his anger would explode, until he realized the source of his anger and at whom it was directed. As soon as the blaze would flare, a rushing wave of guilt would come crashing over his head and douse the fire.
Self-deception had led him down a path to place that he created, yet with which he was not at all familiar. Everything was of his own doing, yet nothing made sense. The statue stood in the middle of his room and haunted him. It brought back memories of reality and his old perceptions. He would study it for hours on end to try and interpret what he was missing. He had created a trap for everything that he loved, and in the process, he had snared himself.